Inklings & Arthur photo contest at Mythcon 49!

mythoSo you’re attending Mythcon 49? You’re giving a paper, enjoying talks by the special guests, sporting a fabulous costume at the masquerade, sharing readings and music at the Bardic Circle, playing a late-night game of Golfimbul, watching a performance by the Not-Ready-For-Mythcon Players, soaking up the unforgettable conversations — and of course, admiring copies of The Inklings and King Arthur with its beautiful cover by Emily Austin. There may be swords. There will probably be knights in some kind of cosplay armor. There may even be a Holy Grail. While you’re there, you have a chance to win a signed copy of The Inklings and King Arthur! I am giving away one signed copy of I & A to whomever takes the most clever, creative photo of the book. Here’s the deal: 

  • Get a hold of a copy (legally and kindly!); there will be copies floating around. You can probably borrow one.
  • Take a photo of the book in some cool setting, maybe with a clever visual pun, with or without people, whatever your imagination can dream up.
  • Get permission of any people who appear in the photo for you to use it for this purpose.
  • Post the photo on social media with the hashtag #InklingsAndArthur. If you want, you can tag me, too (@SorinaHiggins). By doing so, you’re giving me permission to re-use it on all my social media channels, websites, and anywhere else I may want to use it for promotion.
  • Please submit only high-quality photos with good lighting and reasonable resolution. Needless to say, keep it decent, appropriate, in good taste, etc.
  • The photo must be taken at Mythcon 49 between July 20th and July 23rd.
  • I will pick out the best photograph based on which I think is the most clever, creative, unusual, cool, etc. I reserve the right to open voting to the public if I think that’s a good idea.
  • 30463274482_90aff8a230_bNote that the prize will go to the photographer of the best picture, not to any subject(s) who may appear in the picture.
  • The winner agrees to provide a domestic U.S. mailing address where I can ship the prize copy (the price of overseas shipping is prohibitive for me).

So have fun! Learn a lot, share a lot, and snap a lot of pictures. I look forward to seeing what beauties you can dream up that involve this lovely book.

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Mythmoot Photo Contest Winners

Congratulations to Tom Hillman, @alas_not_me, for winning first prize for cleverest photo of The Inklings and King Arthur at Mythmoot V! This photo took about four days to set up, because he had to wait until it stopped raining and take the photo with his sword outside the National Conference Center, since bladed weapons are not allowed indoors (Masquerade Ball pics notwithstanding, ahem, ahem). Here is the glorious photo for your enjoyment: 

Tom h

“Whoso pulleth out this sword of this tome and volume is rightwise king born of all Mythmoot.”

And a proud second place goes to Joe Hoffman, aka Calvus Virginicus, @virginicus, for sheer volume of scintillating wit. Enjoy this series of puns, homophones, and general fun!


Proving I studied Formalism with @SorinaHiggins


The Inklings and Arthur …. Arthur Harrow. 


The Inklings and Arthur, Dent


The Inklings and King Arthur and Mina Harker


The Inklings and King Arthur and the Harkers


The Twinklings and King Arthur


The Drinklings and King Arthur

Now, don’t you wish you had been at Mythmoot? Don’t you need to rush out and get a copy of The Inklings and King Arthur? 😉

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The Inklings and King Arthur: Selfies and News

What could be better than a smart scholar’s #InklingsAndArthur selfies? A smart scholar’s #InklingsAndArthur selfies at the Marion W. Wade Center, aka, Narnia Near Chicago! Check this out.

A Pilgrim in Narnia

Since the first call for chapters for The Inklings and King Arthur, this not-so-little book has been on its own adventure. Conference panels, keynote talks, digital round-table discussions, and crowd-sourced funding were all part of a long editorial and publication journey, shepherded all the way by editor Sørina Higgins. The result is a rigorous examination of the theological, literary, historical, and linguistic implications of the Arthurian writings of all the major Inklings: C.S. Lewis, J.R.R. Tolkien, Charles Williams, and Owen Barfield. I was pleased to provide one of the chapters, where I used the opportunity to test out some theory stuff I am working on. Specifically, I wrote about how Lewis brings various fictional worlds together in That Hideous Strength (Lewis’ only overt Arthurian novel, and one of the few Inklings pieces of Arthurian fiction to be published when it was written).

While it is not a great…

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Inklings & Arthur photo contest at Mythmoot V!

mythmoot-v-argonathSo you’re attending Mythmoot V: Fantastic Frontiers? You’re giving a paper, enjoying talks by the special guests, sporting your fabulous costume, dancing the night away at the masquerade ball, graduating or cheering the graduates, soaking up the unforgettable conversations — and of course, admiring copies of The Inklings and King Arthur with its beautiful cover by Emily Austin. There will be swords. There will probably be knights in some kind of cosplay armor. There may even be a Holy Grail. While you’re there, you have a chance to win a signed copy of The Inklings and King Arthur! I am giving away one signed copy of I & A to whomever takes the most clever, creative photo of the book. Here’s the deal: 

  • Get a hold of a copy (legally and kindly!); there will be copies for sale at the conference, and several people will be bringing theirs. You can probably borrow one.
  • Take a photo of the book in some cool setting, maybe with a clever visual pun, with or without people, whatever your imagination can dream up.
  • Get permission of any people who appear in the photo for you to use it for this purpose.
  • Post the photo on social media with the hashtag #InklingsAndArthur. If you want, you can tag me, too (@SorinaHiggins). By doing so, you’re giving me permission to re-use it on all my social media channels, websites, and anywhere else I may want to use it for promotion.
  • Please submit only high-quality photos with good lighting and reasonable resolution. Needless to say, keep it decent, appropriate, in good taste, etc.
  • The photo must be taken at Mythmoot V between June 21st and June 24th.
  • I will pick out the best photograph based on which I think is the most clever, creative, unusual, cool, etc. I reserve the right to open voting to the public if I think that’s a good idea.
  • 30463274482_90aff8a230_bNote that the prize will go to the photographer of the best picture, not to any subject(s) who may appear in the picture.
  • The winner agrees to provide a domestic U.S. mailing address where I can ship the prize copy (the price of overseas shipping is prohibitive for me).

So have fun! Learn a lot, share a lot, and snap a lot of pictures. I look forward to seeing what beauties you can dream up that involve this lovely book.

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Inklings & Arthur Shortlisted for Mythopoeic Award

I am honored and delighted to announce that The Inklings and King Arthur has been shortlisted for the Mythopoeic Scholarship Award in Inklings Studies! This prize is given to books on J.R.R. Tolkien, C.S. Lewis, and/or Charles Williams that makes significant contributions to Inklings scholarship. I am pleased that all the hard, forward-thinking work of my chapter-writers in this book has been acknowledged and appreciated. We are also in illustrious company; the other nominees are:

  • mythoChance, Jane, Tolkien, Self and other: This Queer Creature (Palgrave Macmillan, 2016)
  • Coutras, Lisa, Tolkien’s Theology of Beauty: Majesty, Splendor, and Transcendence in Middle-earth (Palgrave Macmillan, 2016)
  • Flieger, Verlyn, There Would Always Be a Fairy Tale: More Essays on Tolkien (Kent State University Press, 2017)
  • Tolkien, Christopher, ed., Beren and Luthien (Houghton Mifflin Harcourt, 2017)

You might also like to look over the list of previous nominees and winners, as it provides a kind of Who’s Who of Inklings studies and a handy picture of the evolution of the field.

The winners of this year’s awards will be announced during Mythcon 49, to be held July 20-23, 2018, in Atlanta, Georgia. Are you going to Mythcon this year?

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“Rather a Pleasant Notion”: Humor in Charles Williams’s War in Heaven

Over here on TOI, it’s all guest posts, all the time — at least until I get through the end of this semester of grad school. It’s a tough life, folks. But I’m enjoying the work I get to do on medieval writers, modernist playwrights, ritual, magic, metatheatre…. It’s all fun. But back to Charles Williams for a moment. Here I’m happy to offer you a fun, light-hearted, insightful guest post by John Stanifer. Enjoy! 

“Rather a Pleasant Notion”: Humor in Charles Williams’s War in Heaven
by John Stanifer 

WiHUntil last week, I only knew the work of Charles Williams secondhand. I had a sense that he was indeed “the oddest Inkling,” an intriguing (and occasionally disturbing) figure in the biographies I’d read of C.S. Lewis, Tolkien, and the Inklings as a group.

I knew he had worked at Oxford University Press for much of his life. I knew he had passed just months before the end of World War II. I knew Lewis had considered him a great friend, even a spiritual mentor.csl cw

I also had read bits and pieces about his interest in the occult, and thanks to Sørina Higgins’s presentation at the 2016 Ewbank Colloquium, I knew he had some bizarre (to put it politely) ideas involving women’s bodies and spiritual enlightenment.

To put it bluntly, my impression of Williams as a writer was that he was weird, and at least to an average twenty-first century reader (i.e. a non-specialist), difficult, even inaccessible.

But after reading The Inklings & King Arthur, I finally felt the urge to experience C.W. firsthand. Maybe, just maybe, what I’d learned about his work in those essays would be enough to push me through at least one book by this “difficult” writer.

So I started with War in Heaven, and there were two things about it that shocked me right away:

funny– C.W. is surprisingly readable
War in Heaven is hilarious*

(*At the beginning, anyway—more on that in a minute)

“Hilarious” probably isn’t the first word that springs to mind when most people think of Charles Williams, but I was laughing within the first two pages.

Take this early sentence, for instance:

“That dead bodies did not usually lie round in one of the rooms of a publisher’s offices in London about half-past two in the afternoon was a certainty that formed now an enormous and cynical background to the fantastic possibility” (8).

I mean, everyone knows that dead bodies only show up at half-past six, right? And then there’s that qualifier “usually,” as if this has happened just often enough in the past to justify that bit of uncertainty.

oupAnd then there’s C.W. setting all of this in a publisher’s offices. Maybe it’s just me, but knowing that C.W. spent so many hours of his working life in just such a setting made it funnier.

I guess I have a dark sense of humor.

A few paragraphs after the body is first discovered, the reader is witness to an argument between multiple characters over whether the body is actually dead.

At first, our protagonist Lionel thinks it’s merely a workman who has entered his office without prior notice to fiddle with the telephone. Lionel is offended that the man refuses to answer him after several attempts to get his attention.

Once the reality of the death finally starts to dawn on everyone, Lionel’s colleague, Mornington, quips:

“How fortunate . . . if he were alive and had got under your table and wouldn’t take any notice I should be afraid you’d annoyed him somehow. I think that’s rather a pleasant notion . . . a sort of modern King’s Threshold—get under the table of the man who’s insulted you and simply sulk there” (8-9, emphasis mine).

I might try this the next time I’m annoyed by a coworker or a student (or not).

lionIt’s worth noting that all of this banter is going on while the characters are still in close proximity to the body of a person who has just been murdered by strangling. Do we chalk this conversation up to callousness in the presence of death, or is it an attempt to diffuse the feelings of horror and despair that might otherwise overwhelm them if they didn’t try to lighten the mood somehow? I don’t know, but this whole scene struck me as more than a little humorous.

Yes, the plot gets much more serious later on, but I’d argue that only demonstrates Williams’s admirable ability to switch in and out of different tones without losing the power of the story.

We still see flashes of his gift for humor every so often, like this gem of an exchange in Chapter 5:

“If he left at half-past two, that’s all I want to know,” the inspector said. “Did you happen to mention to anyone that he was coming?”

“Yes,” said Sir Giles, “I told the Prime Minister, the Professor of Comparative Etymology at King’s College, and the cook downstairs” (58).

How very specific.

I know I shouldn’t let it surprise me that much. After all, this isn’t the first time in my life as a reader that I’ve built up assumptions about a particular author or body of literary work, and the assumptions were finally exploded (or at least put into perspective) by firsthand experience.

Just ask me about my firsthand experience of Harry Potter, two years after the final book came out. How differently I see that series now from when I first heard of how “dangerous” it was to unwary youngsters.

Do I still think Charles Williams is a weird writer? There were certainly passages I read in War in Heaven that seemed to confirm at least some of my impressions (I could have done without the image of Persimmons lying naked on his bed all night after rubbing the magic ointment on pretty much every crevice of his body).

And yet, it’s amazing how much one’s attitude can change after that first direct exposure to an author’s work.

So count me the newest fan of C.W.’s work . . .

. . . even if I still find myself with raised eyebrows at some of the juicier details one finds in his biography.

Who knew the presence of a dead body in a publisher’s offices could be so entertaining?john s

Williams, Charles. War in Heaven. Eerdmans, 1974.


John Stanifer has an M.A. in English from Morehead State University. He is a tutor and library assistant at Ivy Tech Community College and is also the author of Virtuous Worlds: The Video Gamer’s Guide to Spiritual Truth (Norwalk: Winged Lion Press, 2011).


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C.S. Lewis, H.P. Lovecraft and me

Check out this post by a *different* Steve Hayes in response to the guest post by Stephen Hayes that I’ve just recently put up! And revel in the dance of responsive, relational internet-writing.


I’ve just been reading a blog post by a namesake of mine, which set me thinking about how the order in which one reads things could affect the way in which one interprets them.

This other Stephen Hayes discovered me on Twitter a few years ago when someone made a comment to him on something I wrote that didn’t seem to fit, and we’ve followed each other there, and I’ve linked to his blog about apples. But this time he was writing as a guest blogger on The Oddest Inkling, and I felt more able to comment on it than on apples. H. P. Lovecraft, C. S. Lewis, and Me. | The Oddest Inkling:

I became addicted instantly [to H.P. Lovecraft]. Like my beloved Tolkien, and to a lesser extent Mervyn Peake (The Gormenghast Trilogy) Lovecraft had created an imaginary world which was strange and different. Unlike Tolkien…

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H. P. Lovecraft, C. S. Lewis, and Me.

Here is a guest post by Stephen Hayes, a regular reader of this blog. It is a highly personal, spiritually-autobiographical story about his individual experience. If any of you readers would like to offer a post on Lovecraft and Williams, I’d be interested to hear a pitch.  

tree huggerCONTRIBUTOR BIO: Stephen Hayes was born in London’s East End in 1955 and studied medicine at Southampton 1974-1979. He worked for some 20 years as a Primary Care Physician and is now an Associate Dermatologist and skin cancer diagnostics educator. He blogs about skin cancer and less often about C S Lewis. He is a long-term fan of C S Lewis, and his first (Amazon kindle) novel Darwin’s Adders: A Chronicle of Pagan England 2089‘ was written after the thought came to him one July 2009 morning: ‘What if, in That Hideous Strength, the bad guys had won, and 150 years later, an angel came to the mentally handicapped great, great, great grandson of Mark and Jane Studdock and pronounced him The Pendragon?’ He is intermittently working on 3 other novels: Hecate’s Daughters (a sequel to Darwin’s Adders), Fire on the Dordogne a romance set in the French wars of religion, and another novel about an old man telling fishing stories to his grandson as he is dying from melanoma. Stephen and his wife Julia live in Botley and have 2 adult daughters: Emily is a food scientist with a love for travel, Sarah is autistic and epileptic and deeply loves Jesus. They manage a heritage apple orchard in Old Hampshire, Old England. Stephen’s kindle e-book Tales From an English Orchard tells that orchard’s story. Amongst his many ambitions, the greatest is to hear the words, ‘Well done, thou good and faithful servant.’ spoken to him by The Friend of Sinners.

Image result for lovecraft and lewisThis personal reflection mainly concerns the effect on me of deep and prolonged exposure to two influential 20th century writers, Howard Price Lovecraft and Clive Staples (Jack) Lewis. They had much in common: each man created a unique and compelling mythos, but their philosophies of life and therefore the moral and intellectual natures of the universes they created were diametrically opposed.

I am not the best-read 62-year-old in England, my choice of a medical career saw to that, (my favourite subjects at school were English and French, before the desire to become a doctor took hold) but at major turning points in my life I was heavily engaged with the visions of each of these two men. These are some personal thoughts on their very different speculative fiction outputs. NB: I tend to bundle Lewis and Tolkien together to some extent, I hope that will be excused.

Who reads H P Lovecraft? Well, I did for one. Back in the late sixties and early seventies, I liked anything weird. I thought my parents were boring and I was trying to find out who I was, and, in the words of the Steppenwolf song ‘Looking for adventure, whatever comes my way.’ There was the usual incalculable interplay between genetics, environment and what some call chance and others Providence. How much of how I turned out was down to my free will, if any, I can’t say.

Raised as a Roman Catholic, I was into Zen and ‘free thinking’ although never an atheist. I got into Jimi Hendrix from the age of 11, receiving taunts from Monkees fans in the school playground. I didn’t fit in, but was brainy, so I read and read, living in a world of my imagination which I fed with every fantasy, adventure, sci-fi and horror book I could find. Image result for nada the lilyHenry Rider Haggard was a favourite, especially his Zululand romances with their exotic differentness and an element of the supernatural. Nada the Lily remains a favourite, showcasing the Rider Haggard hero Umslopogaas who appears in several other tales. He was a misunderstood outcast with an enchanted axe, very like my other hero Jimi. I couldn’t get enough.

Then came Tolkien.

Having discovered and devoured The Hobbit, I remember the day I first found a copy of The Fellowship of The Ring in the library. I speed read it in an afternoon and literally ran a mile to get back to the library before closing time to order The Two Towers and The Return of The King.  The fact that most of my friends thought LOTR ‘tedious and absurd’ to quote JRRT’s foreword, just encouraged me about how cool I was, being into stuff that most folks weren’t into.

By 16 I was content to be an outsider, especially as I now had a few friends who were also bored by football and mainstream pop music. Exotic, avant-garde, rebellious, even morbid and dangerous tastes were something to seek out and celebrate. And then one day a friend, let’s call him Roy, introduced me to H P Lovecraft. Roy was a long-haired outsider who was into eastern religions and later came out as homosexual. I hadn’t known that when we shared a tent while walking Hadrian’s Wall. Another friend was also heavily into Lovecraft. He was an outspoken atheist and communist.

Image result for arkham lovecraft

H.P. Lovecraft’s Arkham by Michele Botticelli

I became addicted instantly. Like my beloved Tolkien, and to a lesser extent Mervyn Peake (The Gormenghast Trilogy) Lovecraft had created an imaginary world which was strange and different. Unlike Tolkien, whose ‘sword and sorcerer’ adventures were in far off Lothlorien, The Misty Mountains, Rohan and Atlantis, Lovecraft’s world was rooted in our own time and space–Antarctica, New Zealand, the fictional New England towns of Arkham and Innsmouth, the swamps of Louisiana. But just round the corner from those sleepy towns and ordinary offices and universities, lay dark, hidden manuscripts and nameless horrors. Furthermore, these were horrors against which there was no defence, no God or hero to deliver you from the attentions of the mad gods of space, Nyarlathotep the crawling chaos, the evil rat Brown Jenkin, the noxious Yog-Sothoth who froths in primal slime, or countless other malign entities. A grim universe indeed, of which I will offer a handful of examples.

The-Dream-Quest-of-Unknown-Kadath.jpgIn ‘The Dream Quest of Unknown Kadath’ (3), a man with a dull job and longings for something more wonderful, went on a quest for a beautiful city, travelling through enchanted dreams rather as the Pevensie children went through a wardrobe to Narnia and John sought ‘The Island’ in The Pilgrim’s Regress. Yes, there was an evil witch in Narnia, but the place was inherently good, and if there was a witch there was also Aslan. The bizarre journey to Kadath was haunted by ogres, nameless shadows, insanity, illusion, the indifferent ‘old gods’ of earth, and the cruel, potent gods of space, but no comfort, meaning, security or hope.

Image result for the call of cthulhu‘The Call of Cthulhu’ concerns a giant entity of great power and malice who evolved in far-off regions of unknown space, travelled to Earth, and with his terrible minions waits in a suspended state under the sea until it is time to arise and destroy or enslave humanity. Cthulhu’s call is perceived by some, men go mad, creating models of a being which is a cross between a man, a squid and a dragon. Cthulhu cultists sacrifice human victims, whose bodies are described as being ‘curiously subtracted from’. Eventually, volcanic activity and underwater earthquake off the coast of New Zealand reveals the monstrous, ‘Dead Cthulhu who lies dreaming in his house at R’lyeh’.

The Wikipedia entry details ‘The nightmare corpse-city of R’lyeh…built in measureless eons behind history by the vast, loathsome shapes that seeped down from the dark stars. There lay great Cthulhu and his hordes, hidden in green slimy vaults. ‘

In many of Lovecraft’s horrific visions, such as ‘The Shadow out of Time’, there is nothing that humans can do but await their fate at the hands (claws, tentacles…) of various extra-terrestrial horrors, and it may be better to do so in blissful ignorance since there is nothing they can do to save themselves.

Dunwich Horror.jpgI remember seeing a poster at Leytonstone underground station advertising the film of Lovecraft’s ‘The Dunwich Horror’. The blurb read ‘A few years ago in Dunwich, a half-witted girl gave birth to illegitimate twins. One of them was almost human.’ I never got to see the film, but read the book when I could. There was talk of ‘that upstairs’ and ‘clearing off the Earth’, oh and tentacles.

One of Lovecraft’s most powerful works, ‘At the Mountains of Madness’ is a horror story set on the fictional Plateau of Leng in Antarctica. An expedition wakes up things they shouldn’t have woken up and an ‘Alien’ like scenario ensues. Only 2 survivors escape, one of whom goes mad after (like Lot’s wife) looking behind and seeing something that ‘ought not to be’.  A brief quote from the story reads

Something about the scene reminded me of the strange and disturbing Asian paintings of Nicholas Roerich, and of the still stranger and more disturbing descriptions of the evilly fabled plateau of Leng which occur in the dreaded Necronomicon of the mad Arab Abdul Alhazred. I was rather sorry, later on, that I had ever looked into that monstrous book at the college library.’ (my emphasis)

Image result for the necronomicon

The arcane book The Necronomicon is an overarching ‘Elder Scrolls’ style background document referenced in many Lovecraft stories. I was wryly amused by this quote in which Lovecraft’s narrator expresses regret that he had ever looked into ‘that monstrous book’. I can identify with that.

The overall context of HPL’s imagined universe is that there is no god, demon, angel or spirit-but some beings have evolved over ‘strange aeons’ in the far reaches of deep space, where perhaps the laws of physics are different to those we know, to such a degree that their properties appear supernatural. This is a common theme in science fiction from The War of the Worlds to Star Wars, but Lovecraft took it further than most. Read this from ‘The Call of Cthulhu’ which illustrates the bleak despair of his godless imagination:

The most merciful thing in the world, I think, is the inability of the human mind to correlate all its contents. We live on a placid island of ignorance in the midst of black seas of infinity, and it was not meant that we should voyage far. The sciences, each straining in its own direction, have hitherto harmed us little; but some day the piecing together of dissociated knowledge will open up such terrifying vistas of reality, and of our frightful position therein, that we shall either go mad from the revelation or flee from the deadly light into the peace and safety of a new dark age.

Lovecraft’s stark materialism is significant. His monsters might seem supernatural, but aren’t. They were ‘natural’ beings who happened to have evolved immortality and powers such as the ability to change shape and possess human minds. This is really awful when you let it sink in. If there is a ‘traditional’ devil, well that’s bad, but then by the same token there is a God who can save you from him. But what if beings that acted like devils and could drag you down to some kind of hell, whether you deserved it or not, existed in a materialistic an amoral universe, and had no benevolent and righteous divine counterpart?

I obtained as full a collection of Lovecraft books as possible, and read and re-read them. I welcomed the Gugs and Ghasts, Nyarlathotep, Yog-Sothoth, the ghouls that haunted the Pyramids, the Colours out of Space, Mad Abdul Alhazred  and all the rest into my eager imagination, where they took up residence and did their thing.

One night, walking home around 2 am from my girlfriend’s house, I experienced a sensation that I have never had before or since, that some malevolent entity was looking down on me from behind. I felt terrified and started running.

When I got home, 3 anxious miles away, the house was empty, as my family had gone on a trip I hadn’t wanted to join them on (I told you I was a loner), and I did something I had almost never done before. I knelt by the side of my bed and prayed fervently to God asking for deliverance and safety. I have a clear memory of two things happening next. First, I felt there were several bat-like things flying around my head, and next I felt a voice saying ‘Go downstairs and into the garden and burn those books,  now.’ I really didn’t want to do that. Not only had I spent much money on them, but promised to loan them to a friend. If I burned the books, I would look very silly. It is an indication of how disturbed I felt that 10 minutes later there was a fire on an upturned dustbin lid, which I fed until the last page was consumed. I felt somewhat better, prayed some more, and was able to sleep.

Image result for perelandraA couple of days later at school I sheepishly told Roy an edited version of what had happened. He laughed, and said Nyarlathotep was a great idea but I shouldn’t take him so seriously. But soon after he lent me a copy of ‘Perelandra-A Voyage to Venus’ by C S Lewis which he said he thought might help. He was right; it did.

Reading Perelandra restored an equilibrium in the world of my imagination, rather like a detox or hangover cure. Lewis’s universe, like Lovecraft’s, contained terrible dangers and monsters, but there was a Remedy available on application, however wretched and weak you were. As Lewis put it, there was such a thing as the Normal or Straight, a Power that cared about me, a Goodness that would have the last word. Evil was real, but it would be defeated. Beauty and ugliness, good and evil, truth and lies, sanity and madness were not equally matched ‘yin and yang’ complementary opposites, but goodness, truth, beauty and sanity were RIGHT and they would triumph over the WRONG of ugliness, lies, evil and madness in the end. The universe was not meaningless. Life was not a sick joke. We might be victims, but not helpless as we had a Helper.

In simple terms, H P Lovecraft messed my head up, C S Lewis put it right again. The memory of that is very clear despite the intervening years. One can almost see Lewis as a literal (and literary) antidote to Lovecraft’s poisoned cosmos.

Am I saying Lovecraft’s books are evil, even demonic? Am I saying people, especially Christians, shouldn’t read them? No. But as the Apostle Paul wrote in 1st Corinthians 10:23, ‘All things are lawful but not all things are helpful.’ Our minds are corruptible and we should choose our mental and spiritual diets carefully. These men’s alternative visions, informed by opposing world views, seem to me to express a true dichotomy. Is the universe in fact run by Nyarlathotep the crawling chaos or Maleldil the loving Father? The fact that we do, in the end, have to choose between mutually exclusive opposites is a major theme in Lewis, e.g. ‘The Great Divorce.’

Lovecraft’s cold and creepy mythos, like fellow atheist A E Housman’s suicide poems, deserves some respect for facing the real implications of materialism-a godless, pitiless universe that came from nothing via chaos minus purpose, and will end in nothing. And, therefore, so what?

Thank God there is a better vision available, and thank Jack for articulating it so well.

Botley, Hampshire, England
April 2018
An extended version of this essay appears on SH’s blog


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Inklings & Arthur on Pilgrim in Narnia

As you probably, Brenton Dickieson has generously opened up his popular blog A Pilgrim in Narnia for guest editor David Llewellyn Dodds to curate a series of guest posts inspired by or responding to The Inklings and King Arthur. Here is a handy list of those posts, with little summaries. I’ll update this as more are added. Please join the lively conversations going on over there in the comments!

“Inklings and Arthur Series Introduction” by David Llewellyn Dodds

As a noted scholar of Charles Williams and particularly the textual editor of an edition of CW’s Arthurian poetry, David Dodds is ideally situated to curate this excellent series on The Inklings and King Arthur. In response to my editorial work in that collection, Dodds has done something similar here, gathering and presenting “a dozen posts from leading and emerging scholars from the fields of medieval and renaissance literature, Arthurian studies, and Inklings studies–as well as poets, writers, artists, and students.” Indeed, this series on A Pilgrim in Narnia makes a lovely companion-piece to the book itself, offering 12 short, lively, accessible blog posts to compliment the 20 rigorous (but hopefully also lively and fascinating) chapters in the book.

“The Argument Continues: Late 20th Century Christian and Pagan Depictions of Arthur and the Grail” by Suzanne Bray

Charles Williams was not the only author of his time to write about the Holy Grail, and Suzanne Bray first puts it into its literary-historical context, then writes about more recent retellings of the Grail story: Bernard Cornwell’s Warlord Trilogy and Stephen Lawhead’s Pendragon Cycle.

“A Personal Reflection on Logres and The Matter of Britain” by Stephen Winter

With insight and pathos, British writer Stephen Winter connects That Hideous Strength to contemporary issues in the U.K. and Europe, ending on a hopeful note. Do share your thoughts about the ability of mythology and fantasy to serve as political prophecy!

“‘The Name is Against Them’: C.S. Lewis and the Problem of Arthur” by Gabriel Schenk

Oxford graduate (and newly-hired faculty member at Signum University, I might add!) Gabriel Schenk offers a blog post that began as a talk given at the Oxford C.S. Lewis Society. He begins with an overview of the various negative connotations the Arthurian legends acquired over the years, which turn off some potential readers. The young C. S. Lewis was among these, disgusted as he was by cheap tourist traps boasting Arthurian connections and disappointed by “Tennyson’s moralistic agenda.” Then Gabriel provides a survey of Lewis’s Arthuriana. This post would serve as a perfect introduction to Brenton Dickieson’s and Charles Huttar’s chapters in The Inklings and King Arthur, as they dig into Lewis’s Arthurian intertextuality in great detail, and to Benjamin Shogren’s chapter on gender and Arthurian names in That Hideous Strength.

Don’t miss the comments thread on this one; there’s a discussion of Donald Trump as an honorary Knight of the Round Table! Gabriel writes: “For some, Trump is a new Pendragon; for others, he’s the new Mordred.”

“An ‘Easy to Read’ Modern Arthurian Epic” by Dale Nelson

I knew when I edited I & A that I would miss some important works contemporary to and in conversation with those by the Inklings. I had never heard of this one before, and it sounds wild and wonderful! Dale surveys Martyn Skinner’s three-part poem, The Return of Arthur: A Poem of the Future, which includes Merlin giving Arthur a tour of hell, where demons use electronic devices, Arthur fights a “collectivist Newtopian” state post-World War Three, a drug-induced seduction scene, and several Grail-inspired conversions. It sounds like a lively trip, and I hope you get a chance to read both the blog post and the poem it introduces.

“Wood-Woses: Tolkien’s Wild Men and the Green Knight” by Ethan Campbell 

This English Professor at The King’s College in New York City teaches a brilliant course: “Tolkien’s Medieval English Sources.” This delightful post briefly covers some of these sources, from Old English poetry to Sir Gawain and the Green Knight, a favorite of Tolkien’s. Then Ethan digs into why JRRT was so drawn to the tale of Gawain’s tests, and finally zooms in on one particular word: “wodwos.” If you want to know what these are, read his post! There’s a lovely paragraph about Narnia, too, with a swift-and-subtle but persuasive defense of Lewis’s gallimaufry slipped in, and a Shakespearean comparison for good measure.

“Inklings and Arthur: An Artist’s Perspective” by Emily Austin

This is the Most Fun Post! It’s Emily’s delightful story of how she found out about the cover contest, had a really brief period of time (while watching the eclipse!) to come up with an idea and submit it, and then won the contest! She also discusses possible inspirations and influences on her work, which is a great insight into the complex workings of an artist’s mind.

“Arthurian Literature and the Old Everyman’s Library” by Dale Nelson

In his second post for this series, Dale introduces “The Everyman’s Library,” a series of cheap, readily-avialable editions of classics that the Inklings grew up on. These affordable books fed and shaped Lewis’ and Tolkien’s taste. Lewis went on, for a time, to collect expensive editions, which he had rebound to match each other, and always retained a love of paper, type, and covers. But it was these inexpensive editions that allowed bookish teenagers early in the 20th century to encounter such great works as the Arthurian texts.

“Filling the Gaps in History: Mythopoesis as Deep Insight” by Charles Huttar

Charles’s chapter in The Inklings and King Arthur is one of the most meticulously researched, covering a vast swathe of Inklings’ poetry to trace occurrences of “the idea of Avalon.” Here, he begins by a brief nod to debates about the historicity of Arthur, then moves into the Inklings’ perspective on mythological history. They wrote, as it were, into the gaps in history, filling those blank spaces with stories of their own. Lewis does this in That Hideous Strength and many other works; Williams does it in his own peculiar way in Descent Into Hell and The Chapel of the Thorn, Huttar shows. Obviously, Tolkien’s whole legendarium is written into the gaps of (pre-)history. This post is magnificent on its own or as an introduction to Yannick Imbert’s chapter in the book, which takes another perspective on the Inklings’ mythological view of history.

“Chesterton, Arthur, and Enchanting England” by J. Cameron Moore

What we have here is a lovely distillation of Cameron’s chapter about Chesterton’s Arthurian poems. Like the Inklings, who were in some ways his heirs, Chesterton had a view of the mythic significance of history–and the historical significance of mythology–that infused his Arthurian poems. He saw England itself as a kind of elfland or fairyland, suffused with spiritual meaning. Read this post first, then Cameron’s chapter, for a long look into GKC’s rhythmically and thematically compelling poems.

“Thor: Ragnarok and C.S. Lewis’ Mythic Passions” by Josiah Peterson

Fights over film adaptations of beloved books can get fierce and nasty. In this post, Josiah both presents some of Lewis’s views on movie adaptations and compares Thor: Ragnarok to the “northerness” that Lewis loved. The Norse myths were dear to his heart, and they were what drew him to his first friend, Arthur Greeves, and also to Tolkien. Here, Josiah speculates what CSL might have thought of the recent Marvel movie.

“Charles Williams’s Arthurian Treasury” by Grevel Lindop

Author of the recent, brilliant, award-winning biography Charles Williams: The Third Inkling gives insights into Charles Williams’s Arthurian Commonplace Book, the earliest of his many lifelong attempts to capture the essence of the Matter of Britain. Williams considered various approaches to his retelling of the myth, and he included church history, occult magic, Celtic mysteries, and many other rich veins of thought. Lindop and John Matthews are working on an edition of all of CW’s Arthurian poems, due out very soon!

“Tiny Fairies: J.R.R. Tolkien’s “Errantry” and Martyn Skinner’s Sir Elfadore and Mabyna” by Dale Nelson

In his third post in the series, Dale turns to elves! Elves and fairies, to be precise. Tolkien and Lewis were disgusted by the degradation of the noble, lofty, terrifying faerie-folk of Medieval romance down to the Puckish miniscules of Michael Drayton. However, Inkling’s contemporary Martyn Skinner wrote a poem called Sir Elfadore and Mabyna, whose fairies are much better. Dale speculates whether Lewis or Tolkien might have read this poem (JRRT: almost certainly not; Lewis: possibly). His analysis includes this great summing-up: “according to Tolkien, the matter of Faërie is a high thing, worthy to be the object of poetic genius and disciplined craftsmanship; but artistic liberty extends to works that include verbal play and the charm of the fanciful.” Numinous elves, silly elves, fatal faeries, flirty fairies; there’s room for all of them in the tradition of English literature.

“C.S. Lewis’ Arthuriad: Survey and Speculation” by Brenton Dickieson

Finally, blog owner and primary author Brenton Dickieson gives a popularized version of his brilliant chapter on Lewis’s intertextuality. As with Cameron Moore’s, I recommend reading this post first, then Brenton’s detailed and ground-breaking chapter in The Inklings and King Arthur. And then keep the conversation going!

At the close of this series, something is even more obvious than it was when The Inklings and King Arthur was published–although I spoke about it even then: We need more books on this subject. We probably need a whole volume on the Inklings and their Arthurian sources. We certainly need one on the Inklings and their Arthurian contemporaries–David Jones, T. S. Eliot, T. H. White, Martyn Skinner, and so many others. We need one on all the other Arthurian themes in the Inklings’ works that we weren’t able to cover in our (already enormous) book. So what do you think? Want to edit one of those?

And meanwhile…. Which of these posts did you like the most? What other topics can you suggested for possible follow-up volumes to The Inklings and King Arthur? Do you have ideas of your own to add?

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Inklings and Arthur: An Artist’s Perspective by Emily Austin

Here is a luscious little post (over on Pilgrim in Narnia) by artist Emily Austin about the process of creating the winning cover design for The Inklings and King Arthur. Do read it; I think you will love it!

A Pilgrim in Narnia

As guest editor I can freely say, one of the many delights of this blog is Brenton’s brilliance in finding and selecting examples of book covers of works under discussion, post after post. But today we have the exceptional delight of reading the inside story of how a contemporary artist and designer, Emily Austin, went to work and became the maker of the cover of The Inklings & King Arthur. However discerning your enjoyment of it is already, I warrant it will be deepened and increased, as mine was, by reading this.

David Llewellyn Dodds, Guest Editor

I had about 36 hours to come up with a cover proposal for The Inklings and King Arthur.

When I found out about the contest (via editor Sørina Higgin’s posts on Twitter), my husband Ryan and I were away from our Indiana home, en route to watch the total solar eclipse in…

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